Michael Kors

 

It was full on rugged elegance, American style, at Michael Kors Autumn/Winter 2012. A mix of cozy textures--tweeds, plaids and mohair--were juxtaposed with decadent furs, sleek leather and smooth satin. Lines were longer, cleaner, and proportions fractured at time for both him and her. Sportswear separates, suiting and twinkling evening gowns aside, for me, it was the outerwear that stole the show.



Fur has been cropping up quite a lot this NYFW, making me think that American designers have embraced their clientele as the 1%, all pretense of the "democratization" of fashion swept away with the remnants of the tents at Zuccotti Park, and are pulling back from the "street" airs that have pervaded catwalks for several seasons now. And there's nothing wrong with owning up to their luxury instincts and sealing the deal for next quarter's returns. Kors is a bit like Florida in the Republican Primaries, a bellweather for the nation's conservative sartorial appetite. If Michael hones in on a trend, all the other more polished American designers (and the mainstream consumer) will follow suit.



Thus it was with these decadent oversized fur creations, coyote jackets piled on atop crimson tweed sweater dresses, ivory mongolian vests engulfing tiny blonde modes and a jaw-dropping black aplaca teddy bear duffle coat. Fur also appeared in the form of accent collars and stoles, bags and hats (similar to those sent down the runway by Marc Jacobs). So if Kors is American sportswear's barometer for what's hot and what's not, it looks like this fall, at least where fashion is concerned, is going to be a civilized one.

New York Fashion Week Autumn/Winter

 
 

New York Fashion Week Autumn/Winter 2012: J. Mendel

 

The J. Mendel woman this season was a vision in white. Elegant and poised, his crepe and pleated chiffon draped girls nailed the ladylike vibe this season. The Olsen twins sat front row said it all. Aside from the pearly and neutral palette, with bursts of golds, Mendel returned to his roots as a furrier (readers carrying PETA cards should click away now...), carrying out his legacy as the fifth generation in his family's fur house. Mendel (as he'll tell you himself in an interview in the next post).



Following in the legacy of his family's fur house (Gilles is generation numéro cinq), played with different approaches to fur textures, knitting together coats and jacket, forging crocodile corsets, and lining his foxes and alpacas (and snow white shearling totes too) with gold hardwear and layering them atop sheer, silk tulle and organza gowns. Tres, tres chic. 


The collection was inspired by Barcelona's Gaudi, in particular, Gaudi’s work was met by the editorial vision of Diana Vreeland and Helmut Newton on the pages of Vogue, which meant lines were fluid, round, and feminine with a slightly 1920's flavour. Oh, and did I mention the Olsen twins were sat front row?
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